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MAE CHAEM - The Hidden Valley of the Seven Temples

Mae Chaem is one of those “on-the-way-to” towns. The traveller is “on his way” to Mae Hong Son. Or Pai. Or Doi Inthanon. Or the Hot-Mae Sariang-Ob Luang Gorge triangle.

It’s easy to understand. On first encounter, Mae Chaem appears to be a town in the throes of becoming … something. For the moment, however, it is happy being what it is: a farming community in a lush valley. There are no sidewalks, no traffic lights, and the few streetlights are fluorescent tubes hanging from an electric pole. But the visitor who pauses for a bit discovers that there’s a lot more going on than is evident at first glance.

The Essence of Mae Chaem
Its primary attraction is its setting. Endless tiered fields of rice rise up to the slopes of the green mountains in which the town nestles. The valley is sliced by the Mae Chaem, a winding river that flows from the slopes of Doi Inthanon, Thailand’s highest mountain, which is clearly visible from the town. The town rests on the river’s banks.
   

Despite the wealth of activities, for many people it is the valley’s tranquillity that will appeal most. In a sense, the “nothing is happening” is part of the town’s charm. Try these scents: air freighted with the breath of jasmine, the heady scent of just-cut rice, drying sheds for onion and garlic, the smoke of straw fires in the evening. Add to it the friendliness of the townspeople, also evident in the water jars (nam jai) at temples and in front of many houses for thirsty passers-by to imbibe. One breathes deeply the valley’s bucolic atmosphere and is refreshed.

   
What Poking Around Reveals
Besides scenery it offers seven beautiful temples, a bustling morning market, some unique ancient crafts, a quiet paddle down the Mae Chaem River, nearby waterfalls, a relaxing soak in a hot spring and a village massage.
   
Mae Chaem is, first and foremost, about rice — thick stands of it. And vegetables. Visiting around the planting or harvesting season is to see the townspeople at their best, chatting and laughing as they go about the timeless tasks associated with cultivation. They are farmers and proud of it, farm folk with no desire or need to impress anyone. No fancy clothes, no spiffing up for outsiders. This, for many travellers, is its beauty.
   
That is evident in its midtown morning market. It begins early, at 3.00 am, and by 6.00 am everyone has packed up and gone home. In it, one gains an appreciation of the vast array of produce the valley grows. It also teems with Karen tribespeople who form a large portion of the valley’s population.
   
In the post-rice season, the villagers pursue several crafts for which they have become renowned. At Ban Fai Thong, just southwest of the town, weavers produce distinctive teenjok, the finely-detailed decorative fabric that hems the bottom of the paa sin (sarongs) that the women wear. The diamond shapes in predominantly reds and yellows are unique to Mae Chaem.
   

In nearby Ban Thap, near Wat Ban Thap, craftsmen produce Pin Thong Luang, the brass hairpins with which women fix their hair into buns on festive occasions.

   
To the northwest near Wat Kong Kan, villagers in Soon Duan Ru Hom Kram Fai Phrak Mai grow the leaves they use to dye thread indigo to produce the moh hom shirts worn by farmers and fashionable outsiders.

The valley’s culture has been long in the brewing. The town sits on an ancient trade route between Chiang Mai and Myanmar (Burma). Elephants, horses and bullocks once carried salt and miang (fermented tea) to Burma, and iron tools like knives, jop (hodags) and ploughs, as well as clothing and household utensils back. As a result, many Burmese cultural influences can be seen in the galae (crossed boards on the gables), recipes, Burmese-style temples and images, and heard in the songs the villagers sing.

The Seven Beauties
It is in seven temples that one finds Mae Chaem artistry at its best. Very often, Thai traditional architecture doesn’t stand up to close scrutiny. From a distance, it impresses because it is golden and glittery, but up close, it is less than stellar art. Mae Chaem’s temples and monuments do pass close inspection, testament to a pride of execution among the artisans who created them. Moreover, the setting is often as brilliant as the gem. Thus, one finds beautiful temples on the shores of seas of rice, or beneath the spreading boughs of tall trees. The courtyards are often a charming jumble of buildings with everything on a small, human scale, not grand, soaring edifices.

Mae Chaem’s temples appear in clusters. On the southwestern edge of town are two of the best.

Inside the gate of Wat Yang Luang, one is greeted by larger-than-life paintings of Lord Buddha and two disciples on the viharn (assembly hall) wall. The temple is a revelation — it doesn’t even appear in the guidebooks — as much for its beauty as for its setting amidst rice fields stretching to the distant hills. Doors richly decorated with mythical animals lead to the interior with its large Buddha image. Step behind the image and discover, on the right, a white stone Buddha said to be 500 years old and, adjacent to it, a wall painting in white on black of a seated Buddha. On the left side of the main image is a lovely bronze image of a standing Buddha.

   
Close by, Wat Pa Daet comprises a set of interesting buildings, each unique, but it is inside that its true beauty is revealed. Covering the walls are marvellous scenes of everyday life rendered in muted colours: ploughing, harvesting, processions, palace life.
   
Across the river to the west is Wat Ban Thap. Its viharn wall is marked by a somewhat garish Buddha done in green mosaics, but move beyond it to a newish chedi marked with the 12 astrological signs rendered in aluminium and beautifully executed. Further on is an ubosot (ordination hall) and at the end of the compound is a stairway leading into vast rice fields, its stairway guarded by superbly-detailed naak (guardian serpents).
   
The morning bintabaht (alms rounds) here includes a feature not found elsewhere. In addition to the young monks bearing their alms bowls, a monk carries a pair of circular wire baskets slung from a bamboo pole. On each basket are 10 shallow bowls. Villagers pour messy curries into them and avoid having to put them in plastic bags and place them atop the clean rice in the alms bowls. This arrangement is eminently practical and emblematic of the valley villagers’ admirable pragmatism.

Three of the temples lie north of Wat Ban Thap, also on the west side of the river. Wat Phrao Noom is the most modern of the group. Its walls are covered in richly-detailed carvings of Buddhist figures. In contrast to the black lac with gold found in many temples, these are rendered in gold leaf on a chocolate brown background.

Wat Phuttha Eoen (Buddha-En on the sign) was built in 1868 and includes a feature not seen elsewhere: a bot nam, or ubosot, that rests on wooden piles in a lotus-filled pond. Especially attractive are the teak serpents (nak), running along its baseboards. Next to the road, a spring provides drinking water. Inside the main viharn are murals depicting the chadok — the last ten lives of Lord Buddha before he reached enlightenment. Many lovely dtung (narrow woven, embroidered banners) associated with Lanna (northern Thai) culture hang from the ceiling. The interior is low and dark like most Lanna temples. It also features some interesting old elephants and other lacquer decorations on the stout tree-trunk pillars holding up the portico.
   

Four kilometres up the road sits Wat Kong Kan. Built in 1431 by the rulers of Chiang Mai, Phrae and Chiang Saen, the presiding Buddha image in the ubosot is perhaps the most representative of the Mae Chaem style. The murals are of local rather than traditional life and previous incarnations of the Buddha. On the back wall is an exact depiction of the temple, the parishioners and the Buddha image of this little sub-village. Like many Lanna temples, though not that many here, the prime decorative colours are red and gold.

Leave the compound and cross a bamboo bridge and then a swaying suspension bridge over the Mae Chaem. Climb a hill to a golden chedi, and enjoy a spectacular view of the town and the layered mountains beyond.

   
The final temple, Wat Jiang, is situated 1.6 kilometres north of the “T” and is marked by huge twinned singto (lions) at the front gate. Its primary claim to fame is an unusual hexagonal chedi.
   
Other Attractions
There are other cultural attractions. At 8.00 am each Friday, after the morning assembly in the courtyard, the students at Rongrian Muang Dek primary school (behind the PTT station) practice traditional arts. The girls perform the fone lep (fingernail dance). Nearby, younger boys practice traditional martial arts while the older ones pursue ritualized sword fighting. Behind the school, kindergarten children dance and sing. The programme lasts less than 45 minutes and visitors are welcome to observe.

A small museum at Wat Bupparam just up the street displays interesting farm implements, opium tools and old guns. Among the oddities is a collection of canteens left behind by Japanese soldiers who briefly occupied Mae Chaem during World War II.

Nature Ventures
Mae Chaem is also about enjoying natural beauty to the fullest. Boating along the river is one option. Bamboo rafting is offered all year round, as are rowboats or triyaks in the company of a local guide. The craft take one into a countryside characterized by villages, tall elephant grass, clean water and an almost complete absence of garbage. The lack of development is evident in that one arrives in the town with virtually no structural prelude to the buildings to come: nature extends right to its doorstep. Boating and cycling opportunities are also available at Suan Pa Mae Chaem.

Appropriately enough, some 36 kilometres down Route 1088 to Hot are the Nam Phu Lon Thepparom hot springs. It costs 200 baht for the privilege of breathing the sulphuric aromas wafting up from the springs. Most enticing is the modern spa where 50 baht buys 20 minutes of relaxing hot spring bathing in one of ten small enclosures. Be warned that silver jewellery worn into the bath will tarnish. Gold is okay, however, and it is all very relaxing. A few kilometres on is the impressive Ob Luang Gorge, Thailand’s Grand Canyon.
   

Falls and More Falls
Along Route 1192 to Doi Inthanon National Park, through which one must pass going to and from Chiang Mai, are four waterfalls. The first two are nearly 17 kilometres from Mae Chaem. Two kilometres down the hill on the right is Huai Sai Leuang, a lovely two-tiered set of falls where camping sites and bungalows are available. Straight on is Mae Pan Falls, a 500-metre walk down a steep trail.

Farther down the Doi Inthanon Road along the Chiang Mai-Mae Chaem route is the more spectacular Wachirathan Falls. Mae Ya Falls is on the right, four kilometres before Route 108.


Travel To and Around Mae Chaem
Just over two hours drive from Chiang Mai, Mae Chaem is a hub with spokes leading to Chiang Mai via Doi Inthanon, Pai, Mae Hong Sorn, Mae Sariang, Hot, and link towns along the rectangular paved route that frames the valley. Exploring it requires a car or a motorbike (rentable in town) and some guidance since there aren’t a lot of signs. But it is worth the effort.

The ground zero, as it were, is the T-junction in the middle of town. The long stroke to the west links with Doi Inthanon, Chiang Mai, and Hot. The left half of the crossbar goes to nearby villages. The right goes to Khun Yuam.

Accommodations
Navasoung Resort, on the edge of the valley and off Route 1192 from Doi Inthanon, is a group of bungalows with its own restaurant. This is an ideal base camp for exploratory trips.

The Mae Chaem Hotel in the middle of town offers both traditional hotel accommodation and bungalows.

At Mae Khampaw’s homestay (+66 (0) 810 244828) just up the road from V postcard, a room is 100 baht per night. This is in a quiet village setting surrounded by nice people who are representative of the valley’s population, but there are no restaurant facilities. Ask Mae Kampraw to make a refreshing Nam Dok Anchan drink from the blue gentian flowers growing on her front fence. The deep blue liquid magically turns a bright purple when lime juice is squeezed into it.

Ask here or at Navasoung about a very relaxing “jap sennuat pan boran traditional massage for one hour (100 baht).

Farther afield, nearly 30 kilometres down Route 1088, is Suan Pa Mae Chaem, which includes a resort operated by the government’s Forest Industry Organization. Twenty-five bungalows are available at prices ranging from 500 to 1,200 baht. At the top end of the range, literally, is a charming tree house. The camping fee is quite reasonable, tents are available, and food can be arranged. They offer one-hour kayak trips for 300 baht and rent cycles for use on their own bike trail. There is no entrance fee. (www.fio.co.th For reservations, call +66 (0) 53 249349 in Chiang Mai.)

Restaurants
The best restaurants are located on the Inthanon Road halfway between the roundabout and the intersection of the Hot-Inthanon roads south of the town. There is also an excellent kuay teow (noodle) shop on the main road opposite Mae Chaem Hotel and its branch in town on Route 1192 opposite the PTT gas station.

Transportation
It is probably best to hire a van and driver in Chiang Mai, and to arrange for your pick-up at the end of your stay. You can rent 150-cc Honda motorbikes at Pongwadee in front of the Mae Chaem Hotel on the main street for 250 baht a day.

Boating on the Mae Chaem river
Bamboo rafting:
Year-round, any time of day. Call Khun Ot at +66 (0) 81 0239358. You need to find your own way to Mae Na Jon, 26 kilometres north of Mae Chaem, and the two-hour journey costs 400 baht for a four-person raft.
   
Rowboat or Triyak:
Call Nui at +66 (0) 81 8828521 to arrange a 90-minute paddle for 600 baht for two people sharing a kayak, or 400 for one.


 
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